Being an emotional love is extremely precise and violent in the context of war, and basically lays the foundation for Shakespeare's most mysterious drama: Anthony and Cleopatra. Written around 1606, this chemically subtly resolved the nuances of love, politics, and the history of the Roman Empire.
For Shakespeare's protagonist, the meaning of love is slightly different; it does not point to gentle emotions, it combines two hearts, but a destructive force that destroys one's rationality and sends him to the doom. . This fornication of adultery desire and fornication may be considered immoral by the standards of Elizabeth or Christianity. It is in stark contrast to the love of Romeo and Juliet built by Shakespeare, with Shakespeare as a backdrop of strong emotions and heavy melodies. The love of Anthony and Cleopatra clearly shows the fact that both lovers have a rich historical personal history, but it seems to transcend these views and become a melancholy sudden true love. Anthony is very beautiful by saying "there is something you can estimate in love." He thinks that love is an incalculable quantity, especially in this case, it will cause great repercussions. The hero that marks Anthony is portrayed as a person with excellent courage and outstanding martial arts. When there is a dilemma between stable duties and sexual gratification, choose the latter that Philo pointed out in the first dialogue of the play. He did not hesitate to decide on his supreme love and did not hesitate to decide. His position has been confirmed, even if his enemies are high.
The octave Caesar expressed his achievements on the battlefield and said "...is a part of the world in name." He can compare with Horatio in Shakespeare's small village, he "blood and judgment complement each other. So as not to despise its contradiction. The heroine or Queen of Egypt Cleopatra is an attractive, awesome witch. Her Witness, dialogue and her balance all have dramatic advantages. When she first met Anthony, Enobarbus appropriately described her demeanor. She often showed ruthless self-absorption. She liked highly dramatic performance. Emotional The spectacle, addicted to theatrical performance, has always been revealed through her practice and her sense of life. In the first act she dealt with Proculeius's proposal and even her love scene, she said, "If it is love, tell me how much." "Substance and active participation in policy implementation and important decision-making. She is also a typical woman; she consolidates her authority over her lover, has been angry with rum, and blames him when she is angry. William Heitz Lit thinks she is a masterpiece among all female characters. Her "holistic character" is a victory for sexiness, love for happiness and the power to give it beyond all other considerations. The fact remains that both lovers have passed the peak. Love in the period - this is an incurable disease. Their love is a kind of investigation inside them, this is the daily war they fight against each other. Just like Cleopatra's fascination with Anthony, the greatness of Anthony is also One of the two absolutes in drama. It ignores any division in the context of diplomacy, war, calculation, magnanimity, sensuality or heroism. Love as a word contains a variety of emotions from pure spirit to the most despicable metamorphosis, and The theme of the drama is to enlarge or match them. Quill and Couch think that "the theme is love: not by bards and courtiers Pretty passionate ritual play ...... 18 century is not a commercial sentimentalists understood, but love invincible destroyer. Love: sexy, barbaric, perfidy, although rooted in shame... But "tragedy may be as accidental as history, or as complicated as comedy. Shakespeare creatively made Anthony and Cleopatra, in Patti The Asian war has defined all the roles in the background. It is well known that its theme is not its structure. However, this drama does not satisfy all the characteristics of the ideal tragedy; for example, it does not mark the pain that causes the downfall, and the factors of opportunity are divined. It is very subtly enforced. However, it does not make its spectrum the pain of contemptuous love, the pain of remorse, the powerlessness and compassion. The hero's hamartia can be said to be blindly judged. Aristotle's statement, '' tragedy itself is a serious and complete behavioral imitation, and even his "Trloys" and "Cressida" are not traditional in this respect. Tragedy, because it lures between obscenity comedy and tragic melancholy.
The world of the show absorbs political emergencies, love affairs and solemn deaths. Tragedy is nourished by the social background of personal textualization. Shakespeare did not seem to use his poetic justice, because in the final battle, evil and goodness were destroyed. His strong interest in Roman history can also be seen in his Coriolanus and Julius Caesar. The personal desires of Anthony and Cleopatra are surrounded by political changes and public disasters. The dichotomy between the geographic regions of Rome and Egypt is the key framework of the play. The East represents sensibility, luxury and luxury, while the West represents cold computing, decadent heroism, duty and soldier fashion. This dualization penetrates into intimate relationships and subverts its foundation. People think that Anthony is a fool of fools '' and Cleopatra as '' Egyptian cuisine'.
Shakespeare used Romanesque rhetoric to analyze the manipulation of tragedies in the death of lovers, thus making their names permanent. Although their love is not made up of private intimacy, they are eager to lead their own world, their interests are coordinated, and their bodies are integrated to form a solid complex. This kind of love actually belongs to the public domain, in which the expression of emotion is understood as the expression of political power and loyalty. It must also bear the burden of personal failure and national failure, even though they sternly criticized their co-employers. It is working hard to cope with the self-destruction of its tragic characters and the continuous improvement of the rude reality of lyrics. The frustration of suppressing the dramatist is that his hero and the heroine have different views. The tragic dimension is achieved through excessive and concentrated emotions. The deep problem lies in the tragic potential of love, because it cannot bring happiness to the pursuer. In death, lovers have not split and become a model of legendary love. However, it is also a model of love, because it is an alliance beyond the realm of uncertainty, uncertainty and regret. DA Traversi argues that "...a tragedy of sensational inspiration, by proving it as a victory for death to prove love... by the unnecessary surrender of passion eliminates the manifestation of spiritual possibilities" .
The external struggle is crucial to the tragedy of its overall impact. From that moment on, Anthony turned his eyes to Cleopatra of Cydnus. "...because the ordinary pay in his heart / just the things that his eyes eat", this is an instant love, a violent passion that is both united and full of Anthony and Cleopatra. Shakespeare uses the most advanced poetry to accumulate the diversity of the scene and the difference in character. Compared with Richard II, he suggests that love is the natural choice of all mankind. He believes that Anthony and Cleopatra's interest in the Battle of Actium is not as good as those that completely obliterate their mentality. In order to deepen the content, he showed that the spiritual victory has been stigmatized and defeated, which is always at the core of any tragedy. As it draws to a close, it seems to recede from history and mythology and leap into a huge imagination.
Orignal From: Anthony and Cleopatra as love tragedies
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