Filmmakers and movie fans interested in more than a century of Asian cinema can find what they are looking for in this new reference book. Lisa Stokes is a professor of humanities and film. He also wrote "The Fire of the City: Hong Kong Film", which includes enough background information to educate newcomers, while also adding a lot of academic insights to inspire loyal movie lovers. Industry professionals are even Hong Kong filmmakers.
This extensive reference is based on the chronology and traces the history of the 1901 British occupation of the Hong Kong Entertainment Expo in the region, bringing together eight creative events including the Hong Kong International Film Festival and Hong Kong films. prize. In addition to the economic, social and political factors that have influenced filmmaking over the years, there is also a fascinating introduction that includes promoters and vibrators in Asian films.
Of course, most of the book is the dictionary itself, which describes directors, actors, writers, films, production companies, types, and other important people, places, and things around the niche market. For example, let's say that a reader wants to know more about filmmaker Steven Joa. His recent movie "Kung Fu" broke the box office record in Hong Kong and achieved important economic achievements in the United States. In addition to the previous brief allegations, his list under "Chiau" offers his name in various languages, date of birth, personal and professional background, his list of awards, a partial list of many TV and movie credits, his performance / The descriptive description style, as well as insider information about his two major international favourite Shaolin football and kungfu.
The reader also learned that due to his troubles and failures, he was called "Chinese Jim Carrey." The bold items listed under each dictionary entry [for example, Stephen Chiau: Tony Leung-wai, Danny Lee, TV, Golden Horse, Michael Hui, Ng Man-tat, Kung Fu, Martial Arts and Hong Kong Film Awards] represent themselves List of cross references.
At the center of the book, a short section contains photographs of the film and filmmakers cited in the article. At the end of the "Hong Kong Film History Dictionary" is a bibliography listing the online, magazine, journal and book sources used to edit the text.
Stokes wrote in the preface that her goal is "to provide a comprehensive and detailed overview of Hong Kong's great contribution to film culture." She did succeed in this area because the book will serve fans, filmmakers and academics who are prepared to delve into the complexities and characteristics of this unique film style.
Orignal From: Hong Kong Film History Dictionary
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